Morire e rinascere. Estremi di storie migranti nel cinema

Gino Frezza

doi:10.6092/issn.2035-7141/12003

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Gino Frezza Università di Salerno

Gino Frezza (Naples, 1952) is full professor of Sociology of cultural and communicative processes at the University of Salerno. He has published articles, essays and monographs on cinema and the media, including the volumes: The innocent image. Early American cinema and comics (1979), The myth machine between films and comics (1995), Comics, souls of visible (1999), Until the last film. The evolution of genres in cinema (2001), La nuit americaine. Metaphors in cinema (2006), Fadings. Mutations of the cinema (2013), Figures of the imagery. Mutations of cinema from analog to digital (2015), Mutants clouds. Visual writings and comics imagery (2017).

DOI:

https://doi.org/10.6092/issn.2035-7141/12003

Keywords:

cinema, migrants, filmic narrative models

Abstract

From the time of its origins, cinema has dedicated special attention to those who migrate. In the last thirty years, the filmic images return the material of migratory processes in its great complexity, social, historical, anthropological, existential. The essay elaborates a perspective of analysis of the relationship between cinema and migration and, in particular, identifies three models of filmic narration that have particular significance in cinema and fiction of the last twenty years.

To Die and to be Reborn. Extremes of Migrant Stories in Cinema

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